Even in its most formal of interventions, architecture involves an act of AUTHORING. This act, rooted in intent, ambition, and the immediacy of process, allows one to engage with the process not just as a means to an end, but as a space of critical inquiry and imagination. At its core, architectural thinking is dialogic, interpretive, and reflective; an essential dimension of both academic exploration and professional practice.

FRAME 2025 will engage with the question of DRAWING as an act of authorship that is both reflective and projective. Drawing has always been connected to questions of positions and vantage points (real and thematic). In its variable role, it is not a static idea but a process that associates, relays, and accumulates through the imaginaries of representation, interpretation, archiving and documentation.